1
10
34
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https://digital.mobilepubliclibrary.org/files/original/8afd9a13955e1760be23cc3788ee2287.pdf
279b30975f999e3023081d95495ba904
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Clotilda Collection
Subject
The topic of the resource
Clippings file
Description
An account of the resource
Items from the Clotilda vertical files and archival collection
Source
A related resource from which the described resource is derived
Mobile Public Library's Clotilda Files Collection
Publisher
An entity responsible for making the resource available
Mobile Public Library, Local History & Genealogy
Rights
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This file may be freely used for educational uses as long as it is not altered in any way. No commercial reproduction or distribution of this file is permitted without written permission from this institution.
Format
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scanned images
Language
A language of the resource
English
Type
The nature or genre of the resource
text, still image
Identifier
An unambiguous reference to the resource within a given context
files-clotilda
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
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Last Survivor of Slave Ship Deeply Grateful to God, Man
By Emma Roche
His last dramatic words to me were, “When they tell you Kazoola is dead, say ‘No! Kazoola is not dead – he has gone to heaven to rest.’”
Since January he had been ill. Late in that month we took Roark Bradford, author of “All Gawd’s Chillun,” to call on Kazoola, known as Cujo Lewis, last survivor of the last slave ship, Clotilde, and I saw then that death had marked for his own my pathetic old friend. Gone was his merry spirit and keen wit, so characteristic of him but memory, sight and hearing were still intact, and he told Mr. Braford the harrowing story of the African manhunt which resulted in his capture and his bondage in America.
Years ago when I made drawings of the survivors of the last slave ship, he asked that I call him “Kazoola,” the name given him by his father and mother in Africa, because is was the name he loved. He lived and died in the house he built for himself 75 years ago – a year after he was brought to Alabama – and in all that time he spent only two nights away from its roof. Here Celie, his African wife, who was afraid at first that Americans would eat her, had lived and died; here his sons had been born, grew up, and died, too. Here during their lifetime the Africans gathered on Sunday afternoons to talk of their African home and to speak their native language. It is substantially built – two rooms opening on a gallery which extends across the front length, with two smaller rooms at the rear. There are no glass windows – only wooden shutters.
After he was too weak to be about, when I called to see him the doors and windows would be closed tight. Opening a door, I’d call, “Kazoola,” and out of the gloom a low moan and a “Thank God” would answer me. A feeble one-eyed, old negro ministered to him and a daughter-in-law brought him food. He was made comfortable to the end, and his one sadness was that there was no one left in all the world who could speak to him in his native language.
On my last visit I found him sitting in an old rocking chair by the window, the wooden shutter thrown back. He was sitting very straight – his breath short. He looked younger – more like himself of a quarter of a century ago. His eyes seemed very large and full of dreams. I touched his hands and they were as cold as death, though the afternoon was warm. “How is it, Kazoola, that I find you sitting up?”
“I will tell you. I remembered that, in Africa, when one was sick and the sun was ready to go down, the sick one was lifted up and held out so.”He held out his arms, as if a limp, sick body might lie across them. “He was held out until the sun went down; then he was put back in bed so.” He made another movement as if laying the sick one back upon a bed, his gesture one of care and gentleness. “I was lying on my bed, and I looked up and knew the sun was about to go down, so I got up to sit by my window, where I can look out.” The window opened to the east, but his eyes were fixed on the reflected glow of the sunset sky. I shall always remember Kazoola as I saw him then, surrounded by the gloom of the room, a shaft of reflected sunset across his face and hands – a veritable Rembrandt painting come to life.
He sang for me in his native language the Tarkar death chant as sung in his African home, a stirring chant built upon minor cadences. He then told me that, after he and the other Africans adopted the Christian religion, Poleete, Charlee and he transposed the words of the chant to fit their new belief. “This is how we put it in the American language, and I want you to remember it when I am gone.” He sang these American words to the tune of his African chant:
“Jesus Christ, Song of God,
Please, Jesus, save my soul.
I want to go to heaven
When I die,
Jesus Christ, Son of God.”
Kazoola could neither read nor write, but he was witty, intelligent and had a remarkable memory. His dialect, which many could not understand, was not of the negroid type we know in the south. He was quite eloquent at times, and his words were often fraught with an indescribable pathos. He liked to speak in parables, and most of his talk was allegorical, but toward the end he dropped this manner of speech and spoke more directly, but always picturesquely. He knew his Scripture, could repeat many lines, and tell correctly the verse and chapter from which they were taken.
He and his African companions were in Alabama for 10 years before they embraced Christianity. They then built a substantial church on the green next to Kazoola’s home, and he always ranf the bell for services. After he had sung to me his African death chant, he asked that I get pencil and paper and write down the date and place of his conversion. It was Stone Street church in Mobile, in 1869. Benjamin Bush was the pastor. Bush asked Kazoola, “Where do you want to go when you die?” Kazoola replied, pointing to the sky, “I want to go yonder.” Bush then told him of God and the Bible – and Kazoola asked that I record that, ever since hearing the story, he has been ready and willing to die for Jesus.
Though no religionist, I have been profoundly touched by Kazoola’s devoted faith. When he has been a recipient of small favors, I have seen him look up to the sky, stretch out his hands and fervently say, “Lord, God, I thank Thee! Jesus, I thank Thee!” When much time elapsed between my visits, when he saw me again, tears of gratitude would flow down his cheeks, and he would look up to the God he believed lived just above him in the sky and say, “Lord! God! I thank Thee that I see her once again.”
About a year ago I called – the interval had been long since I had seen him. “How are you, Kazoola?” I asked
“I will tell you,” he replied, and resorted to a parable. “Suppose you own a little cat and a little dog. In the morning you get up and feed the little cat and give it water but you forget all about the little dog – how is it that you expect that little dog to live?”
He had much wisdom and only a few years ago he refused an opulent offer to appear in a vaudeville show in New York city.
In sight of his home on a gentle hillside under tall pines lie his wife and all his African companions. “All I have lies in American soil,” he would say, pointing to the graves beneath the pines. On July 29 Kazoola, the last of that pitiful, gallant band of Africans, was laid on the hillside, too, and perhaps his last words to me are true, “Kazoola is not dead – he has gone to heaven to rest.”
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Last Survivor of Slave Ship Deeply Grateful to God, Man
Subject
The topic of the resource
Kazoola
Description
An account of the resource
Mobile Press article about the passing of Kazoola, also known as Cujo Lewis
Creator
An entity primarily responsible for making the resource
Emma Roche
Source
A related resource from which the described resource is derived
Mobile Press
Publisher
An entity responsible for making the resource available
Mobile Press
Mobile Public Library, Local History & Genealogy
Date
A point or period of time associated with an event in the lifecycle of the resource
August 18, 1935
Format
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pdf
Language
A language of the resource
English
Type
The nature or genre of the resource
newspaper article
Identifier
An unambiguous reference to the resource within a given context
Last-Survivor-of-Slave-Ship-August-1935
Africatown
Clotilda
Clotilde
Cudjoe 'Kazoola' Lewis
Kazzola
-
https://digital.mobilepubliclibrary.org/files/original/3bcb44a5cc3aad61759263301bc31121.mp4
8b9fff1981993bcc19a5aeebce7af48b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Mobile Tricentennial Video Oral History Project Interview Clips
Subject
The topic of the resource
Mobile, African American History
Description
An account of the resource
Oral history interviews of elders in Mobile's African American community. These items are clippings, and the full interviews are available for viewing at the Local History & Genealogy division of the Mobile Public Library. A full listing of available interviews may be viewed <a href="http://digital.mobilepubliclibrary.org/items/show/2732">here</a>.
Creator
An entity primarily responsible for making the resource
National African American Archives & Museum,
Museum of Mobile
Source
A related resource from which the described resource is derived
Mobile Tricentennial Video Oral History Project
Publisher
An entity responsible for making the resource available
Mobile Public Library, Local History & Genealogy
Date
A point or period of time associated with an event in the lifecycle of the resource
1999-2002
Contributor
An entity responsible for making contributions to the resource
Kern Jackson
Format
The file format, physical medium, or dimensions of the resource
mp4
Language
A language of the resource
English
Type
The nature or genre of the resource
Oral history interviews
Identifier
An unambiguous reference to the resource within a given context
Mobile-VOHP-Clips
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Interviewer
The person(s) performing the interview
Kern Jackson
Interviewee
The person(s) being interviewed
Mabel Dennison
Location
The location of the interview
811 St. Emanuel Street
Mobile, AL 36603
Transcription
Any written text transcribed from a sound
Jackson: Tell me this, what year was it that your grandmother came over on the Clotilda, and did your grandfather have anything to do with that?
Dennison: My grandmother was brought over on the Clotilda in 1859. Now the story goes, my grandfather, people word things differently and they give a different significance of whatever…
Jackson: His name was?
Dennison: His name was James Dennison. My grandfather was named James Dennison. Now he was a Native American, born in Charleston, South Carolina. And he was sent over there on the ship, somebody was asking me, somebody made reference to him as a flagman or something else or whatever. But see there are things I would like to find out, things I would like to know how he actually got on the ship in the first place, how he came to be put aboard the ship. As someone told me that he had submitted himself to, and that I don’t know, see when people are not alive, you can only go by the things that some one has passed down from what they have said to somebody else, and especially to family members, because so many people have some many different opinions how something happened or how something came about, and when you can hear it from somebody, we sometimes say “from the horse’s mouth,” you know, that’s the best. And that’s one of the reasons I’m part of the oral history you see. People are trying to get their oral histories down.
Jackson: But there was a unique relationship between your grandmother and your grandfather as a result of this Clotilde experience. And their experience with the Clotilde.
Dennison: Well, I don’t know where they first met. Where they first saw each other, what happened or whatever. My grandmother did tell my older sisters and brothers that they tried to marry, she and my grandfather.
Jackson: They who?
Dennison: I don’t know if it was the Meahers or whomever. Cause the Meahers were in charge of things, see: captain of the ship and the Meahers.
Jackson: So was James Dennison, was he enslaved?
Dennison: Uh, I hate to be talking about this so much cause it’s in the book, but my grandfather had a card which states that he was born a slave in Charleston, South Carolina.
Jackson: In Charleston.
Dennison: In Charleston, South Carolina was where he was born, and he was sent over on the ship. But he nor the crew knew what they were going for. It’s this Wright company had the, they had people in charge of being supplied to ships for seagoing purposes. Now they didn’t know either where they were going. And that’s why they were trying mutiny on the ship when the found out what was happening, cause they knew, evidently they knew that slavery had been outlawed already, and they probably didn’t want to have any part of it. But, I’m assuming that, you know, by putting things together. The reason mutiny was attempted. But you know how it came about. There was a bet it could be done and that sort of situation. And the crew was, I don’t know if my father—my grandfather—ever received any reward, any restitution, or anything of that nature. I believe on the ship-forced labor or whatever, I don’t know. There are many things I don’t understand. I would like to travel to see if I could find some things to see if I could get things a little more complete.
Jackson: Sure.
Dennison: Because when you’re telling stories, historical stories, and most people not around to ask questions about how things happened or what they did and how it was done. They’re not around to answer your questions, so you just got to take what you’ve got, what you can get hold of to relate to. I’m trying to get pictures of my grandmother and my grandfather for sure, for certain. And I don’t know when that’ll happen. Now I’ve also seen a printed, a sheet out of the newspaper. I first saw this out in Chickasabogue Park, a little church house that was out there. They had renovated this little church house, and there were artifacts and different things, paraphernalia, put in this little church house as a museum. And after I started visiting things gradually started to disappear, cause some things I saw I wasn’t interested then. I had certain things I was trying to find, trying to relate. But later on as you see some things and as other subjects come up, or rather other things come to mind you begin to want to go farther, but it’s too late. There’s just some things it’s too late to come by and get hold of. But I would like to travel and find somebody who knows more about the situation who had some more pieces that I can put into the puzzle where I can know more about it. And having to do so many things I hadn’t been able to travel, and actually no way of getting around somewhere to show me this or that and whatever. It appears that many things have been hidden over the years over a while or something. It’s been difficult…
Jackson: By whom?
Dennison: Um, by um the people who knew about the circumstances, whomever they may be, whether it was the families or the slave masters’ families or whomever. That’s what I’d like to find out for sure before I make any comments as to who did what. Uh my, uh grandfather was intended to be put together to be married, seemingly in Mount Vernon—when they were enslaved in Mount Vernon; they were up there for a while. Now when those people were brought in on the ship, they weren’t all placed at the same place, they weren’t all put at the same place. Some of them Plateau, some of them carried to Selma.
Jackson: Hale County…
Dennison: Hale County. And see that’s why. Those things were done for the purpose of not being able to get together and everything. I believe that we have been fortunate to be in the same vicinity and get as much history as we can. If only some of the people, more of the other descendents would cooperate and tell what they know about their ancestors, you see. For me to take what you have and someone else to take what you have and that kind of thing, but it’s just, well you know, men have work. Although some may be the same situation. But there some differences in every circumstance, and that’s why I’d like to see other people give some information or99999 about their ancestors. My grandfather’s book was titled “Biography” – “Biographical Memoir of James Dennison.” My grandmother is “A Memoir of Lottie Dennison.” The way my people would pronounce it they would say Lottie all the time. Now on some of her documents, on some of her, Lottie Dennison’s paperwork her name is spelled “L-O-T-T-I-E” and sometimes its spelled “L-O-T-T-A.” So I don’t know if it’s the way she pronounced it or what. I understand that many of those people changed their names because they didn’t want people to actually know who they were or where they were from or what. I don’t know much about that either, I just happened to hear that and read a little bit about that.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
VHS
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
9 min 52 sec
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Mabel Dennison Interview Clip
Subject
The topic of the resource
Oral History
Description
An account of the resource
Mabel Dennison talks about her book, including her grandparents, the Clotilde, and Africatown
Creator
An entity primarily responsible for making the resource
Mabel Dennison
National African American Archives & Museum,
Museum of Mobile
Source
A related resource from which the described resource is derived
Mobile Tricentennial Video Oral History Project
Publisher
An entity responsible for making the resource available
National African American Archives & Museum,
Museum of Mobile
Mobile Public Library, Local History & Genealogy
Date
A point or period of time associated with an event in the lifecycle of the resource
1999
Format
The file format, physical medium, or dimensions of the resource
mp4
Language
A language of the resource
English
Type
The nature or genre of the resource
Oral history interview
Identifier
An unambiguous reference to the resource within a given context
VOHP-MabelDennison-Book
Africatown
Clotilda
Clotilda ship (last slave ship to the U.S.)
Clotilde
Mabel Dennison
-
https://digital.mobilepubliclibrary.org/files/original/e083b364e83e59610edb4eebf063cc2b.mp4
bc88cf195384bf351dfea5defc6a718d
https://digital.mobilepubliclibrary.org/files/original/94e337faf69606ebe5be76de7c6c6a6c.mp4
e58cb69ad1b5e4d91eb3d11ad6aab889
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Mobile Tricentennial Video Oral History Project Interview Clips
Subject
The topic of the resource
Mobile, African American History
Description
An account of the resource
Oral history interviews of elders in Mobile's African American community. These items are clippings, and the full interviews are available for viewing at the Local History & Genealogy division of the Mobile Public Library. A full listing of available interviews may be viewed <a href="http://digital.mobilepubliclibrary.org/items/show/2732">here</a>.
Creator
An entity primarily responsible for making the resource
National African American Archives & Museum,
Museum of Mobile
Source
A related resource from which the described resource is derived
Mobile Tricentennial Video Oral History Project
Publisher
An entity responsible for making the resource available
Mobile Public Library, Local History & Genealogy
Date
A point or period of time associated with an event in the lifecycle of the resource
1999-2002
Contributor
An entity responsible for making contributions to the resource
Kern Jackson
Format
The file format, physical medium, or dimensions of the resource
mp4
Language
A language of the resource
English
Type
The nature or genre of the resource
Oral history interviews
Identifier
An unambiguous reference to the resource within a given context
Mobile-VOHP-Clips
Oral History
A resource containing historical information obtained in interviews with persons having firsthand knowledge.
Interviewer
The person(s) performing the interview
Kern Jackson
Interviewee
The person(s) being interviewed
Martha West Davis
Location
The location of the interview
564 Dr. Martin Luther King, Jr. Avenue
Mobile, AL 36603
Transcription
Any written text transcribed from a sound
Jackson: Now tell me about your grandfather.
Davis: Okay.
Jackson: Or his story.
Davis: You mean Cudjo? Okay Cudjo was a very active man. He didn’t believe in passivity. He was always doing something, and he was very, very friendly. He had several friends that were white people. One in particular was Alex Zoghby’s on Dauphin Street. Another great friend of his was Charles Ethler. He was the first Baptist evangelist in the states of the United States, in California. So Charles9999 would come to him sometimes on a visit and spend a whole day just visiting Cudjo. And he was a very good friend of my great-grandfather. And I regret that I was too small to hear what he was saying, but he would talk to my grandad and wed look up at him, you know up—they were tall people—and try to understand what they were talking about. And he also said that Cudjo was a wonderful man, and he just enjoyed spending money to travel from California just to see him and talk with him, and read the Bible to him. In other words, my grandfather could not read, but whenever his friends whom he trusted would come, he’d always ask them to at least say the passage. And he would listen and he would explain what they said. He had good memory, and I think that he did quite well not being able to read. And he would always relate certain passages that he said.
Jackson: What did your grandaddy do for a living?
Davis: My grandaddy farmed for a living. He farmed the entire area from the Bay Bridge entrance there on the highway back to Yorktown Baptist Church was a vast area. Very large plot of land.
Jackson: If you can go back in your memory and remember your granddaddy and grandmama’s house, tell me about it.
Davis: Okay. First we moved from in the middle of the street there, there’s the cutoff. And then our house my grandmother’s house was a very large house—about eight rooms. We had long shutters, now they are called Venetian blinds but we had wooden shutters that would pull down, and you could see all through the streets there. And when we moved from that house our grandfather built his house in the back of our house. This was seventy-five years we lived there. It was made out of the old-fashioned pinewood. He also added a porch there, and it made his house look like a big place. They had a fence around it with lots of shrubbery. Course he farmed; you could see he was a farmer cause he filled the entire area with vegetables, with food to feed people because there was no need of him trying to preserve the food. It was too vast. I believe in my estimation he fed about five thousand people during his lifetime. At least five thousand or more cause he gave away what he raised, the food products.
Jackson: What did your grandfather tell you about his journey to America?
Davis: Well, as a little girl, about three and a half years old, I can recall he said it was a long ride, and they had limited, food was very limited. They had very little water, and it was a very crowded condition. I also remember him saying that if they saw a ship coming toward the schooner he was riding was sailing on, they were told to tuck their heads down in a position that would not tell people someone was on board the schooner. So they were always trained to hide. It was an illegal trip. In fact he said they forced. He said one night they were, I suppose, going to bed in the villages, and there were two kings that were arguing, or rather they almost went into a state of mutiny. They were fighting because of one reason, because Cudjo’s king, Dahomey had a good production. He had more food that would feed the people in the village than King Taika, so Taika got angry and they had this gentleman, a tall gentleman, I won’t call the name to help to capture the village as much as they could: a fairly large number of people. So they got on this ship not knowing where their sisters and brothers were. So in our case, in my family, my grandaddy left his mother and father in the village, and he had no control because they were forced to get on the ship Clotilde and sail to America. There was no chance of saying, “I don’t want to go. Where am I going?” But they only could say, “ I’m going to a new land, a New World.” So he came to America after seventy days of voyage, the duration of seventy days.
Jackson: How old were you when your grandfather passed?
Davis: I was in the, it might have been the middle school. After grade four I think, or something like that because I recall having seen him before he passed away after going to school every day. One morning I carried him some, what it’s called, cream of wheat, but grandpa called it gruel because that was the name he could say, I says gruel. He said it’s 9999, it made out of corn, your fine corn. And the fact that I was walking very fast one morning, I turned the bowl of gruel or cream of wheat over on my right wrist, and I bear the scar now where the hot cereal turned over. And I came back to my grandmother’s house, and I told her what I had done. She said don’t cry, it’s going to be okay you know what grandmother’s always say. But I wanted the chance of being a little maid, you know I want to care for grandaddy cause I always loved him so much, but that was one of my little hurts I had to endure. And I see the scar everyday on my arm, but it’s a scar I appreciate because I had a chance to be a little nurse for my grandpa.
Jackson: Now I understand, I’m not the first person to come along and interview member of your family. Could you tell me something about that?
Davis: No, you really are not the first one in the nineties, but I believe that before now there were people who called in and asked the Press Register here downtown in Mobile how to go out there and get some interviews. I don’t know who they were, but I was always told that one lady named Zora Neale Hurston came in a long time ago and interviewed my grandpa. Another lady also came; I forget her name right now. But I understand there were two people who wrote books on grandpa, and that the books were sold. Some books are still saved or reserved in the library here on reference shelves—that you can’t take out. So my family has one book, our private book. It has the same story, the same style that the first book that he was ever interviewed, has the same format. Course they are trying to change that, but I prefer having the old, old draft because it tells the real true story. Lot of people are making stories, I mean fiction, that’s okay with me it’s fine, but the genuine thing is what we need to preserve: that the truth, more or less the truth. And that’s what I really can appreciate, the little story of Kazula.
Jackson: When I came in this morning, and we met this morning, you told me about something I had never heard about and that was a cooling board. What is a cooling board?
Davis: Yes, I thought perhaps you had heard of it. Anyway, the cooling board system is when grandpa, Kazula, would take a family member out to a place it’s called Pennsylvania, Alabama. It’s going north, northeast. This is a friend he knew in Mobile, Alabama here. Her name was Aunt Sally, and she was a very good friend of grandpa’s, Kazula. So one Sunday we went, we had a Burgender, another car was a Plymouth. WE had two cars, two-car garage, and so grandpa dressed with a high hat on and a black silk suit to see Aunt Sally. But she was outside on the porch on what is called a cooling board or wood, a piece of wide wood, she was dressed as if she was dead, had expired. So everybody was along, because her son thought she had, thought his mother had passed along. She really was in a comatic state so Aunt Sally really wasn’t dead; she was in a coma.
Jackson: When you do your work here as a docent, explaining and interpreting Africatown, what are some of the things you like to highlight about Africatown?
Davis: I like mostly to think of the thing that my grandfather had as a person who did not have any enmity against his travel, which he could not avoid, and how he would relate to blacks and whites. There was no color line. He said many times that he loved everybody: race creed or color was a not a matter. He was happy to be in America and to have a family. And so I think he was a man who did not hold anything against his travel. He was just happy to be alive, to have survived. I am happy to know myself that he had no broken parts of his body. He had normal arms and normal eyes; he never wore eyeglasses. He never had a tooth pulled. He had no diseases. He only had a long duration of lifetime, longevity because when he expired he was a healthy man. He walked upright. He was very free. He was not afraid to talk to people. So I believe he was one of the most normal men I’ve ever seen, to have had such trials, such hard deprivation to come to a new land called America.
Jackson: Do you know where your grandfather is buried?
Davis: Yes, I certainly do. I know the spot and I always have a vision of just how I looked at that hole there, and saw him being lowered down, never to see him again. It is one of my most misunderstood moments in my lifetime, to have him to be covered. I remember him very well.
Jackson: How was it a misunderstood moment?
Davis: Well, I really did not want him to pass because I did not know enough about him as to… have him to… but he held my hand many times he talked to us. But I didn’t have enough long time with him as I’d hoped to have. He lived more about a hundred and twenty. But he passed that age where he had to leave us. It was almost, it was a very good moments of lamentation. Everybody was just saying why, why; such a good man loved people, fed people. Even, in fact I understand that my grandmother said one time that he loaned the money what he had to people, and he was never paid back. And this was a true fact, and I wondered why people sometimes took advantage of him. He had lots of artifacts there. In fact he had a beautiful gold walking cane, not a curved one, but a beautiful round cylinder-type. It was taken out, confiscated. He had lots of jewelry that Zora Neale Hurston gave him that was taken out. Lots of things were taken. People would come there, not knowing to us, in the morning-time, kinda early. We watched them very carefully, but sometimes you just can’t watch everybody who comes from different sides. In the back part of your house you can’t see. But we kept watch on grandpa, I mean as much as we could. We really loved him very dearly. But we noticed that a lot of his personal things were taken. I remember having tried on a fur shoe. My feet was very tiny. One shoe would make two 99999 on each side of it. I had a very small foot. He said you can’t wear those; they’re too large; they’re made directly in Africa. Beautiful fur shoes: I tried those on.
Jackson: Where’s he buried? What’s the name of the place?
Davis: It’s the Plateau Cemetery. Plateau Cemetery originally. The first site. There are two sites now. The cemetery now is combined into the old part and the new part which enters on the Chin road. It goes east and west; it’s on the very edge.
Cont.
Jackson: What are some of the most significant things that have happened in the history of Africatown, USA and Plateau?
Davis: Well I think, to me, I would say my granfather’s eulogistic services where my mother lost her temper, because when he expired, she wanted him to be in this facility where he dedicated and was hired gave his life for the people in his church. Few days, what he did, but then the time he expired that Friday evening, July 28, 1935, he was sort of a misunderstanding about where to put him until the funeral on Monday morning. So my grand, my mother Angela told the mortician, that’s Johnson-Allen that she wanted my granfather to be viewed in the church for three days and three night because she thought there were people coming from abroad, which they did, to view his body. So it was time for the new pastor to come in for his conference, and election. And there was a disagreement about that, so my grandmother told Dr. Allen, Dr. Johnson-Allen, that is she didn’t, if they didn’t put him in there, and she desired, because he deserved the honor, that she would carry my grandpa on her shoulders, and I knew that was, could happen. So they agreed to her that they’d put her in there to rest three days and nights. But that was a matter of honoring someone who had given their life to the whole community. I thought she was not out of order to have said she wished her grandfather, I mean, yes, granddaddy to be laid there. I mean put to rest, and it’s three days. It wouldn’t have hurt anything or any meeting or any sort of conference that was going to be held for election of the pastor, pastorship. So that was maybe sort of….What I didn’t understand was why he couldn’t stay there. I mean in the lying there, because that was his lifestyle, the church. He was a custodian there along with my mother, she traced behind him as a little girl and she was playing with brooms and mops the floor with the creative mops they had. She would clean the spittoons, she was would wash the lanterns lights, and they worked hard with that building, that placed where he downed the pine trees. But they didn’t want him there, they wanted him to be shipped in, I mean pulled in there and pulled out. She said, no, don’t disturb his body. Once he is still, he will be still till we have his services. So she won. My mother was very, very up and up. She didn’t take any low-back when she was right. She said she knew she was right about having him lay in rest there, because he was an honorable man. So my mother won.
Jackson: Miss Woods, Miss Lorna Woods once told me about the services that she heard later her family stories about how the descendents of the Clotilde would hold prayer meetings during the week, not just on Sunday.
Davis: Yes.
Jackson: Tell me about that please.
Davis: Well it was a sort of tradition that everybody there that everybody was so centered around pleasing, I guess you might say doing things that was right, and having good morals, and success, as you know Plateau came a long ways from a log cabin church to a brick building now. This is the third church. My grandfather helped to build…they hewed down the trees in order to make a place for worship, so they, we had those early prayer meetings and prayer times, where we’s be praying and asking god for help because there was no other source that we could, that they could seek other than from praying and asking god to provide better jobs for black people because most of the jobs there was maids or even lower than maids you know. People had to do, I mean sawmill. Women had to use those, hot things at the Ben Archer plant. They worked women and men there. Not just men, the women worked there too, they had to make shingles and things for the houses and did heavy work there. But it was just the way of life they had to do.
Jackson: Tell me more about some sawmills and those women.
Davis: Okay.
Jackson: If you could, in your mind’s eye go back and describe what it was like for them, and what kind of work was that, in addition to all their other responsibilities?
Davis: Yes, for me, as far as I can understand, being a small, like a teenager, I remember a lady named like Mrs. Alice Goodtress, of one the ladies who worked there. Others too. They had to actually stand for hours before eating, taking a break. It wasn’t a cool place to work; it was hot. The building was not very comfortable. They had to work. This building, I believe had a large production that it put out, I’m sure it did because it was the only plant that was available.
Jackson: What did they wear?
Davis: They wore the regular cotton dresses. It was no slacks so they had to wear dresses, and I imagine the flat shoes and they, perhaps they had to have the windows open, where those big wide windows would get air, and those big fans, because the building was so hot.
Jackson: And their hair?
Davis: They had just regular; they didn’t tie up their hair. They had just hair just ordinary pressed or whatever style they wanted braided or what have you. But the condition was very, very hot. It was not very comfortable. It was the only plant that supplied money, as far as economics were concerned there. It was called the Ben Archer Plant. It stayed open for years and years and years. And the men had the heavy metal, ironwork to do. They were welding, but it was not the most convenient type of welding. It was severe. It was heavy.
Jackson: Were they paid fairly for their work?
Davis: I would say it was not the max; just for survival, just for survival. Lots of folks had little outside jobs they had. They sold vegetables and some had what you call maids outside. Like on Saturday they worked certain jobs like that. It was a time, was time people really had to work hard to survive. Course the cost of things were not as high as they are now. Course not. But what you had to work for, I mean you really had to work hard to get it.
Jackson: now these folks, what, you were talking about church…
Davis: Yes.
Jackson: What other things brought them joy?
Davis: Well we had what’s called picnics, Annual Picnics, that was in the Creole town, Mount Louis Island. It was an island that was discovered after people learned to get the joy of swimming and of perhaps a half-sail or saith of ocean or water surface of level land. This land I suppose, a person saw having recreation could benefit this land, down there. You could sell drinks, and the pop and the ice cream, and what have you, and candies and what you call popcorns, and make a little vendor’s service out like in New York City. So they opened this for a business for a family enterprise. So when they did this, everbody learned about Mount Louis Island. They would go down in buses. Every church then got the idea of having a picnic at Mount Louis Island. And they would make appointments, dates to have a church come on certain dates, and they had big trucks loads of people. Some had cars. And it was a fun-type thing. One of the thing that I regret when I was a little girl about ten, we were down there, a young man name Peter Mills was drowning. We usually count the children on the picnic bus or cars, but we were told not to go where this flag was because it was high water. And so I don’t know what happened to this young man, he was bout twelve like we were. He went beyond this signal sign, and time to call names and come back to the church. We had been standing count out. We could not find him. His mother and daddy were very dedicated church people. The Hunters. His mother’s name Mrs. Goldie Hunter. And she lost her son Peter. He was only twelve, and he was never found again. We searched and searched and they left him there in the water. But the tides were very high. They were coming in I suppose, and he couldn’t swim, so he went past this signal, and he was drowned.
Jackson: What did the adults do at Mount Louis island?
Davis: On Mondays? Well most of the churches had what you call missionary meetings on Mondays.
Jackson: No, no, no. I mean what did the grown folks do when you went to the picnics? What kind of activities did they do?
Davis: Oh yes. They would watch the kids, number one. They had their own baskets, what do you call it, their own booths where they had the food there. It’s a booth, like a table with food on it. And they had the ice cream packed with ice. The children had their own family ice cream, their own creative ice cream. They had punch and stuff, and they made sandwiches and some barbecue. They barbecued meat. They barbecue the whole day. And they had this place called the little music hall department there. They had, they were allowed to play the box deal. I think it was called the Rock-ola box there. They put a quarter in there and it would play certain songs. You know okay with the church superintendent, and the girls had fun there and the boys had fun. We’d go in bathing and come out bathing and everyone would watch them. There was a division there of course because they were church people. But it was fun. That was one of the main things they had for a yearly recreation there. Go to Mount Louis Island; they were Creole people who banded to the other end and founded this enterprise and swimming area for 9999 and what have you to come there. The result of recreation fun.
Jackson: That’s interesting. I always wanted to know: What exactly is a Creole?
Davis: Well, from what I can understand, it is a type of people who must have the same blood type in order to, when they want to produce children, they have to have the same blood type. In other words they can’t mix. The colors varies from very dark hair, yellow skin, some have blond hair mixed with sandy appearance. But it’s not black; it’s not white. It’s the mixture of just the Creole children that came from the beginning of the Creole wherever it started. It could have started in New Orleans or Pensacola. But mostly it’s French. It comes from the French services. And they migrated here, and they then began to produce siblings. And it grew and grew to families.
Jackson: Were there any social clubs or any, uh, Federated Women’s Club or anything like that in Plateau?
Davis: It started later. Dr. Benjamin F. Baker after his expiration, they built this Benjamin F. Baker Federated Club. Ladies who want to go into groups and have weddings there, banquets. It’s on Catherine Street, there, it’s existing now, but it was after Dr. Baker expired. But it’s functional now. You can have wedding there, receptions there. It’s open now for the public; it’s still open.
Jackson: You talk about your grandfather frequently. Could you please say a few words about the importance of history?
Davis: I think that it should be reserved forever. I don’t think it should ever be frozen because of how they came here and why they came here.
Jackson: They who?
Davis: The descendents. I mean the native from Benin, Africa and west Ghana: Cudjo, Paulette Allen, Charlie Zuma, J.B, Shade, and Ecola Dennison, and Clara Turner which is called Yabashi, and Zuma Levinson which was a Topbar. All the other of the nine were Takars. And those folks should not be frozen. They should be studied. There were people, and they have done great things here. Had it not been for the African-Americans here, I suppose all this food would not have been produced, because the land was not productive. It was a just a wilderness when they came here. They worked very hard.
Jackson: Was it their own land?
Davis: No, this land was given by the Maehers.
Jackson: it was given to them?
Davis: Yes, Cudjo…
Jackson: They owned it?
Davis: No, this was given to them by the Maehers.
Jackson: How did they work that out?
Davis: It was, I suppose, because you know I wasn’t born at the time, bear in mind. But I suppose like any other transaction that was done in that time, that type of transaction, drafting policies and documents, they had more than they could handle. I suppose and I say it from my heart, land, you can’t, you can’t walk over the Earth I mean in one day. So it was just, am I right? lots of land that was just there, barren land so they had nowhere to stay. So it was given to my grandad, Kazula, so he shared the land and gave as much as he could. And he gave the land to be productive. He cleared the land, and he worked very hard with nails that were on the wood in the log truck, log cabin church, a place to worship in and a conference house down in the stand by my brother, Melvin whose 9999. But they had a conference house, like a little shack outside from the original wooden church where they would assemble. Whenever someone didn’t agree with what Cudjo said, they’d all get together and agree. It seemed like Cudjo was their spokesman. He was not the chief or anything, but he was so agreeable, so understanding that we gotta survive, and we must work together.
Jackson: did you know any of the other people beside your grandfather who came off the Clotilda?
Davis: Only the Dennisons. I didn’t know Equlla’s great-grandmother, but I knew the family after the next generation under her. We used to visit them on Sundays. But I didn’t know anybody else, because they were, they were deceased.
Jackson: Are there any other stories about the Clotilde Africans that you are aware of now?
Davis: Repeat that.
Jackson: Are there any other stories about the Clotilde Africans that you are aware of, other than your grandfather?
Davis: No, the only thing that I was not too pleased about is that people are drafting or drawing or sketching, whatever you want to call it—I’m an artist also, I’m a true artist—they are sketching the ship Clotilde. But it’s not the Clotilde, it’s what’s left, the remnants of the Clotilde. The real Clotilde has been wrecked. How can you draw a wrecked picture of what’s not there anymore? So I would say it is like it looks. You can’t make a ship when it’s burned up. So I disagree with someone saying, ‘You should have a replica or you should have a scenario.’ But you can’t because the ship was destroyed because it was illegal. So what are you going to do, do some thing that’s false? So I don’t agree with having any replica of the ship. I mean, what’s left, leave it there and lodge it. Because the real ship will never be anymore. It’s gone forever.
Jackson: Were there any sayings by any of your grandparents that you remember?
Davis: Yes, my granfather Kazula had one thing he stressed most dearly, as we could understand it. He said he was disappointed someone would take something, and more so if he would recognize it was gone. He would always say this as a daily word and like his prayer, he said, “if you” and he used the word “L-I-E”, lie. He said, “if you tell a lie, you will steal.” He was bitterly against, he forbade us to say, “I didn’t do it,” if we did it. We pull a twig down from the cherry tree, he said it you did it, you tell me you did it. He did not want you to tell a false. He was a very hard man on truthfulness, and he didn’t like for you to do things that’s not right. He said whatever you want, you ask for it. That’s why most of his artifacts were stolen because people got away with things such as his gold walking cane, his fur shoes, his jewelries, and lots of things. They came in pairs or groups into him, but they really took a lot of things from his house.
Original Format
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VHS
Duration
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11 min 53 sec ; 16 min 24 sec
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Martha West Davis Interview Clips
Subject
The topic of the resource
Oral History
Description
An account of the resource
Martha West Davis talks about her grandfather, Cudjo Lewis, the Clotilde, Cudjo's funeral, Mon Louis Island, the Plateau Community, etc.
Creator
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Martha West Davis
National African American Archives & Museum
Museum of Mobile
Source
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Mobile Tricentennial Video Oral History Project
Publisher
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National African American Archives & Museum,
Museum of Mobile
Mobile Public Library, Local History & Genealogy
Date
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1999
Format
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mp4
Language
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English
Type
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Oral history interview
Identifier
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VOHP-MarthaWestDavis-CudjoLewis
Clotilda ship (last slave ship to the U.S.)
Clotilde
creole
Cudjoe 'Kazoola' Lewis
farm life
Martha West Davis
Mon Louis Island
Plateau Cemetery
-
https://digital.mobilepubliclibrary.org/files/original/fa9eddaa06ca777c9d034a7687a3e599.pdf
9513bef20009bc266c745fe1b7cbcf39
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Clotilda Collection
Subject
The topic of the resource
Clippings file
Description
An account of the resource
Items from the Clotilda vertical files and archival collection
Source
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Mobile Public Library's Clotilda Files Collection
Publisher
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Mobile Public Library, Local History & Genealogy
Rights
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This file may be freely used for educational uses as long as it is not altered in any way. No commercial reproduction or distribution of this file is permitted without written permission from this institution.
Format
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scanned images
Language
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English
Type
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text, still image
Identifier
An unambiguous reference to the resource within a given context
files-clotilda
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
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[...]
Descendants of Clotilde survivor heading here by the hundreds
Story of illegal slave trade ship passed down through generations of Keeby family
By Casandra Andrews
Staff Reporter
As he lay in the bowels of the slave ship rolling across the sea, he no doubt wondered what legacy he might leave on this earth -- if any.
Original Format
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Text
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Title
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Descendants of Clotilde Survivor Heading Here by the Hundreds
Subject
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Newspaper articles
Description
An account of the resource
Newspaper article on reunion of some Clotilda survivor descendants
Date
A point or period of time associated with an event in the lifecycle of the resource
13 August 1998
Relation
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Andrews, Casandra. "Descendants of Clotilde survivor heading here by the hundreds." <em>Mobile Register</em>, 13 Aug. 1998, p. 1A, 13A.
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Scanned image
Language
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English
Identifier
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files-clotilda-descendantsofclotildesurvivor-01
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Mobile Public Library, Local History & Genealogy
Source
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Mobile Public Library's Clotilda Collection
Type
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text
Africatown
andrews
Clotilda
Clotilde
foster
Keeby
Magazine Point
Meaher
Mobile Register
Tarkans
-
https://digital.mobilepubliclibrary.org/files/original/4e71d71b2c625cce97714abd90ac9eab.pdf
1c709c933d85e9baf55fb8ab2b1340a8
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Clotilda Collection
Subject
The topic of the resource
Clippings file
Description
An account of the resource
Items from the Clotilda vertical files and archival collection
Source
A related resource from which the described resource is derived
Mobile Public Library's Clotilda Files Collection
Publisher
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Mobile Public Library, Local History & Genealogy
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This file may be freely used for educational uses as long as it is not altered in any way. No commercial reproduction or distribution of this file is permitted without written permission from this institution.
Format
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scanned images
Language
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English
Type
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text, still image
Identifier
An unambiguous reference to the resource within a given context
files-clotilda
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
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Seeking to correct a historical mistake <br />I only ask for equal time in the Register to historically and legally free Alabama and the South from an unfortunate error of history. I am a Southerner, and I hope that clearing this most misrepresented episode of history in the South and America will be granted. <br />This letter is regarding the legal status of the defiant ship "Clotilda." The name is misspelled as "Clotilde" on the plaque at the northwest corner of St. Louis Street and North Royal Street, and the cargo of Africans were <em>not</em> slaves.<br />Henry C. Williams Sr.<br />Chairman<br />Progressive League Inc.<br />Mobile
Original Format
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Text
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Title
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Seeking to Correct a Historical Mistake
Subject
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Editorials
Description
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Editorial on the spelling of Clotilda
Date
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14 December 1998
Relation
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Williams, Sr., Henry C. "Seeking to correct a historical mistake." <em>Mobile Register</em>, 14 Dec. 1998, p. 12A.
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Scanned image
Language
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English
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files-clotilda-seekingtocorrect-01
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Mobile Public Library, Local History & Genealogy
Source
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Mobile Public Library's Clotilda Collection
Type
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text
Clotilda
Clotilde
Mobile Register
Progressive League Inc.
williams
-
https://digital.mobilepubliclibrary.org/files/original/afd599a5141f48b61bdadb01d62bdaa2.pdf
ed0735f371d78f8afd5a090cde34d090
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Clotilda Collection
Subject
The topic of the resource
Clippings file
Description
An account of the resource
Items from the Clotilda vertical files and archival collection
Source
A related resource from which the described resource is derived
Mobile Public Library's Clotilda Files Collection
Publisher
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Mobile Public Library, Local History & Genealogy
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scanned images
Language
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English
Type
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text, still image
Identifier
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files-clotilda
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
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Archaeologist uses radar to locate graves
Resting place of about 3,000 buried in Africatown Cemetery not clear until recently
By Mark R. Kent
Staff Reporter
A Virginia archaeologist is using modern technology to locate and mark gravesites in the older half of Old Plateau Cemetery.
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Text
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Title
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Archaeologist Uses Radar to Locate Graves
Subject
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Newspaper articles
Description
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Newspaper article on Africatown Cemetery
Date
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18 January 2010
Relation
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Kent, Mark R. "Archaeologist uses radar to locate graves." <em>Press-Register</em>, 18 Jan. 2010, p. 1C, 3C.
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Scanned image
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English
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files-clotilda-archaeologistusesradar-01
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Mobile Public Library, Local History & Genealogy
Source
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Mobile Public Library's Clotilda Collection
Type
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text
African-American Heritage Trail
Africatown
Africatown Cemetery
Clotilda
Clotilde
Cochrane-Africatown Bridge
Cudjo
Cudjoe
Finley
Kent
Magazine Point
McElroy
Mercer
Norman
Old Plateau Cemetery
Plateau
Press-Register
-
https://digital.mobilepubliclibrary.org/files/original/20aa928f8ebb5e29c08f8e75e9f1b7a0.pdf
78aaed00f80703466629216aa498a6ce
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Clotilda Collection
Subject
The topic of the resource
Clippings file
Description
An account of the resource
Items from the Clotilda vertical files and archival collection
Source
A related resource from which the described resource is derived
Mobile Public Library's Clotilda Files Collection
Publisher
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Mobile Public Library, Local History & Genealogy
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This file may be freely used for educational uses as long as it is not altered in any way. No commercial reproduction or distribution of this file is permitted without written permission from this institution.
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scanned images
Language
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English
Type
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text, still image
Identifier
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files-clotilda
Text
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Text
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4B
Local historians to chronical life in black Mobile
$50,000 city grant to underwrite collection of oral histories describing what it was like to grow up black in Port City's neighborhoods
By Rhoda A. Pickett
Staff Reporter.
Crichton.
Down the Bay.
Texas Hill.
Campground.
These are but a few names of black neighborhoods and communities with their own peculiar identities.
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Text
Dublin Core
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Title
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Local Historians to Chronicle Life in Black Mobile
Subject
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Newspaper articles
Description
An account of the resource
Newspaper article on African American history in Mobile
Date
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29 April 1999
Relation
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Pickett, Rhoda A. "Local historians to chronical life in black Mobile." <em>Mobile Register</em>, 29 Apr. 1999, p. 4B.
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Scanned image
Language
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English
Identifier
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files-clotilda-localhistorians-01
Publisher
An entity responsible for making the resource available
Mobile Public Library, Local History & Genealogy
Source
A related resource from which the described resource is derived
Mobile Public Library's Clotilda Collection
Type
The nature or genre of the resource
text
Africatown
Clotilda
Clotilde
jackson
Mobile Register
Museum of Mobile
National African-American Archives and Museum
pickett
Plateau
-
https://digital.mobilepubliclibrary.org/files/original/a94f949b5da8217c0f4cd7418d0f9c59.pdf
87387cfbe9b62be866a28e70e7e5cf68
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Clotilda Collection
Subject
The topic of the resource
Clippings file
Description
An account of the resource
Items from the Clotilda vertical files and archival collection
Source
A related resource from which the described resource is derived
Mobile Public Library's Clotilda Files Collection
Publisher
An entity responsible for making the resource available
Mobile Public Library, Local History & Genealogy
Rights
Information about rights held in and over the resource
This file may be freely used for educational uses as long as it is not altered in any way. No commercial reproduction or distribution of this file is permitted without written permission from this institution.
Format
The file format, physical medium, or dimensions of the resource
scanned images
Language
A language of the resource
English
Type
The nature or genre of the resource
text, still image
Identifier
An unambiguous reference to the resource within a given context
files-clotilda
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
Burial landmark is unveiled in Plateau for Cudjoe Lewis
Lewis was last survivor of the Clotilde slave ship, which arrived in Mobile's harbor in 1859
Staff Report
About 50 people attended Sunday's unveiling of a burial landmark in the Plateau Cemetery for Cudjoe Kazoola Lewis, the last survivor of the Clotilde, said an organizer.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Text
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Burial Landmark Is Unveiled in Plateau for Cudjoe Lewis
Subject
The topic of the resource
Newspaper articles
Description
An account of the resource
Newspaper article on Cudjo's grave
Date
A point or period of time associated with an event in the lifecycle of the resource
20 February 2001
Relation
A related resource
"Burial landmark is unveiled in Plateau for Cudjoe Lewis." <em>Mobile Register</em>, 20 Feb. 2001, p. 5B.
Format
The file format, physical medium, or dimensions of the resource
Scanned image
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
files-clotilda-buriallandmarkisunveiled-01
Publisher
An entity responsible for making the resource available
Mobile Public Library, Local History & Genealogy
Source
A related resource from which the described resource is derived
Mobile Public Library's Clotilda Collection
Type
The nature or genre of the resource
text
Clotilda
Clotilde
Cudjo
Cudjoe
Dahomey
Delta Sigma Theta
Plateau Cemetery
Project Cherish
-
https://digital.mobilepubliclibrary.org/files/original/3b765554d5cb920890785275d696da63.pdf
8fc851af897d7d47c6008cc78c7d14c7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Clotilda Collection
Subject
The topic of the resource
Clippings file
Description
An account of the resource
Items from the Clotilda vertical files and archival collection
Source
A related resource from which the described resource is derived
Mobile Public Library's Clotilda Files Collection
Publisher
An entity responsible for making the resource available
Mobile Public Library, Local History & Genealogy
Rights
Information about rights held in and over the resource
This file may be freely used for educational uses as long as it is not altered in any way. No commercial reproduction or distribution of this file is permitted without written permission from this institution.
Format
The file format, physical medium, or dimensions of the resource
scanned images
Language
A language of the resource
English
Type
The nature or genre of the resource
text, still image
Identifier
An unambiguous reference to the resource within a given context
files-clotilda
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
6-H Port City Sunday, Jan. 19, 1986 [...]
Dorothy Davies:
Preserving black heritage at Africatown
By Kathy Jumper
Port City Writer
"You can't know where you're going unless you know and love where you've been," said Dorothy Floyd Davies.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Text
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Dorothy Davies: Preserving Black Heritage at Africatown
Subject
The topic of the resource
Newspaper articles
Description
An account of the resource
Newspaper article on Africatown and possible state park
Date
A point or period of time associated with an event in the lifecycle of the resource
19 January 1986
Relation
A related resource
Jumper, Kathy. "Dorothy Davies: Preserving black heritage at Africatown." <em>Port City Magazine</em>, 19 Jan. 1986, p. 6H, 7H.<em></em>
Format
The file format, physical medium, or dimensions of the resource
Scanned image
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
files-clotilda-dorothydavies-01
Publisher
An entity responsible for making the resource available
Mobile Public Library, Local History & Genealogy
Source
A related resource from which the described resource is derived
Mobile Public Library's Clotilda Collection
Type
The nature or genre of the resource
text
Africatown
Benin
Clotilda
Clotilde
Davies
Magazine
Plateau
Port City Magazine
-
https://digital.mobilepubliclibrary.org/files/original/8a994871d999d1ed95863bcf2acc361a.pdf
f911557a6fcdf0e8f9aaf04211879feb
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Clotilda Collection
Subject
The topic of the resource
Clippings file
Description
An account of the resource
Items from the Clotilda vertical files and archival collection
Source
A related resource from which the described resource is derived
Mobile Public Library's Clotilda Files Collection
Publisher
An entity responsible for making the resource available
Mobile Public Library, Local History & Genealogy
Rights
Information about rights held in and over the resource
This file may be freely used for educational uses as long as it is not altered in any way. No commercial reproduction or distribution of this file is permitted without written permission from this institution.
Format
The file format, physical medium, or dimensions of the resource
scanned images
Language
A language of the resource
English
Type
The nature or genre of the resource
text, still image
Identifier
An unambiguous reference to the resource within a given context
files-clotilda
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
Police say they have few clues in theft of Cudjoe Lewis bust
By Rena Havner
Staff Reporter
DAPHNE -- Police believe at least two or three people stole the bronze statue of former slave Cudjoe Lewis from a Mobile church and then dumped it in a Daphne ditch.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Text
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Police Say They Have Few Clues in Theft of Cudjoe Lewis Bust
Subject
The topic of the resource
Newspaper articles
Description
An account of the resource
Newspaper article on Cudjo's bust
Date
A point or period of time associated with an event in the lifecycle of the resource
23 January 2002
Relation
A related resource
Havner, Rena. "Police say they have few clues in theft of Cudjoe Lewis bust." <em>Mobile Register</em>, 23 Jan. 2002, p. 5B.
Format
The file format, physical medium, or dimensions of the resource
Scanned image
Language
A language of the resource
English
Identifier
An unambiguous reference to the resource within a given context
files-clotilda-policesaytheyhavefewclues-01
Publisher
An entity responsible for making the resource available
Mobile Public Library, Local History & Genealogy
Source
A related resource from which the described resource is derived
Mobile Public Library's Clotilda Collection
Type
The nature or genre of the resource
text
Clotilda
Clotilde
crawford
Cudjo
Cudjoe
Daphne
Havner
Magazine Point
Missionary Union Baptist Church
Mobile Register
Plateau