31 10 5481 https://digital.mobilepubliclibrary.org/files/original/8afd9a13955e1760be23cc3788ee2287.pdf 279b30975f999e3023081d95495ba904 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Clotilda Collection Subject The topic of the resource Clippings file Description An account of the resource Digital reproduction of the Clotilda archival collection, also including items from the Clotilda and Africatown vertical files. Publisher An entity responsible for making the resource available Mobile Public Library, Local History & Genealogy Rights Information about rights held in and over the resource This file may be freely used for educational uses as long as it is not altered in any way. No commercial reproduction or distribution of this file is permitted without written permission from this institution. Format The file format, physical medium, or dimensions of the resource scanned images Language A language of the resource English Type The nature or genre of the resource text, still image Identifier An unambiguous reference to the resource within a given context files-clotilda Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document Last Survivor of Slave Ship Deeply Grateful to God, Man By Emma Roche His last dramatic words to me were, “When they tell you Kazoola is dead, say ‘No! Kazoola is not dead – he has gone to heaven to rest.’” Since January he had been ill. Late in that month we took Roark Bradford, author of “All Gawd’s Chillun,” to call on Kazoola, known as Cujo Lewis, last survivor of the last slave ship, Clotilde, and I saw then that death had marked for his own my pathetic old friend. Gone was his merry spirit and keen wit, so characteristic of him but memory, sight and hearing were still intact, and he told Mr. Braford the harrowing story of the African manhunt which resulted in his capture and his bondage in America. Years ago when I made drawings of the survivors of the last slave ship, he asked that I call him “Kazoola,” the name given him by his father and mother in Africa, because is was the name he loved. He lived and died in the house he built for himself 75 years ago – a year after he was brought to Alabama – and in all that time he spent only two nights away from its roof. Here Celie, his African wife, who was afraid at first that Americans would eat her, had lived and died; here his sons had been born, grew up, and died, too. Here during their lifetime the Africans gathered on Sunday afternoons to talk of their African home and to speak their native language. It is substantially built – two rooms opening on a gallery which extends across the front length, with two smaller rooms at the rear. There are no glass windows – only wooden shutters. After he was too weak to be about, when I called to see him the doors and windows would be closed tight. Opening a door, I’d call, “Kazoola,” and out of the gloom a low moan and a “Thank God” would answer me. A feeble one-eyed, old negro ministered to him and a daughter-in-law brought him food. He was made comfortable to the end, and his one sadness was that there was no one left in all the world who could speak to him in his native language. On my last visit I found him sitting in an old rocking chair by the window, the wooden shutter thrown back. He was sitting very straight – his breath short. He looked younger – more like himself of a quarter of a century ago. His eyes seemed very large and full of dreams. I touched his hands and they were as cold as death, though the afternoon was warm. “How is it, Kazoola, that I find you sitting up?” “I will tell you. I remembered that, in Africa, when one was sick and the sun was ready to go down, the sick one was lifted up and held out so.”He held out his arms, as if a limp, sick body might lie across them. “He was held out until the sun went down; then he was put back in bed so.” He made another movement as if laying the sick one back upon a bed, his gesture one of care and gentleness. “I was lying on my bed, and I looked up and knew the sun was about to go down, so I got up to sit by my window, where I can look out.” The window opened to the east, but his eyes were fixed on the reflected glow of the sunset sky. I shall always remember Kazoola as I saw him then, surrounded by the gloom of the room, a shaft of reflected sunset across his face and hands – a veritable Rembrandt painting come to life. He sang for me in his native language the Tarkar death chant as sung in his African home, a stirring chant built upon minor cadences. He then told me that, after he and the other Africans adopted the Christian religion, Poleete, Charlee and he transposed the words of the chant to fit their new belief. “This is how we put it in the American language, and I want you to remember it when I am gone.” He sang these American words to the tune of his African chant: “Jesus Christ, Song of God, Please, Jesus, save my soul. I want to go to heaven When I die, Jesus Christ, Son of God.” Kazoola could neither read nor write, but he was witty, intelligent and had a remarkable memory. His dialect, which many could not understand, was not of the negroid type we know in the south. He was quite eloquent at times, and his words were often fraught with an indescribable pathos. He liked to speak in parables, and most of his talk was allegorical, but toward the end he dropped this manner of speech and spoke more directly, but always picturesquely. He knew his Scripture, could repeat many lines, and tell correctly the verse and chapter from which they were taken. He and his African companions were in Alabama for 10 years before they embraced Christianity. They then built a substantial church on the green next to Kazoola’s home, and he always ranf the bell for services. After he had sung to me his African death chant, he asked that I get pencil and paper and write down the date and place of his conversion. It was Stone Street church in Mobile, in 1869. Benjamin Bush was the pastor. Bush asked Kazoola, “Where do you want to go when you die?” Kazoola replied, pointing to the sky, “I want to go yonder.” Bush then told him of God and the Bible – and Kazoola asked that I record that, ever since hearing the story, he has been ready and willing to die for Jesus. Though no religionist, I have been profoundly touched by Kazoola’s devoted faith. When he has been a recipient of small favors, I have seen him look up to the sky, stretch out his hands and fervently say, “Lord, God, I thank Thee! Jesus, I thank Thee!” When much time elapsed between my visits, when he saw me again, tears of gratitude would flow down his cheeks, and he would look up to the God he believed lived just above him in the sky and say, “Lord! God! I thank Thee that I see her once again.” About a year ago I called – the interval had been long since I had seen him. “How are you, Kazoola?” I asked “I will tell you,” he replied, and resorted to a parable. “Suppose you own a little cat and a little dog. In the morning you get up and feed the little cat and give it water but you forget all about the little dog – how is it that you expect that little dog to live?” He had much wisdom and only a few years ago he refused an opulent offer to appear in a vaudeville show in New York city. In sight of his home on a gentle hillside under tall pines lie his wife and all his African companions. “All I have lies in American soil,” he would say, pointing to the graves beneath the pines. On July 29 Kazoola, the last of that pitiful, gallant band of Africans, was laid on the hillside, too, and perhaps his last words to me are true, “Kazoola is not dead – he has gone to heaven to rest.” Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Last Survivor of Slave Ship Deeply Grateful to God, Man Subject The topic of the resource Kazoola Description An account of the resource Mobile Press article about the passing of Kazoola, also known as Cujo Lewis Creator An entity primarily responsible for making the resource Emma Roche Source A related resource from which the described resource is derived Mobile Press Publisher An entity responsible for making the resource available Mobile Press Mobile Public Library, Local History & Genealogy Date A point or period of time associated with an event in the lifecycle of the resource August 18, 1935 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource English Type The nature or genre of the resource newspaper article Identifier An unambiguous reference to the resource within a given context Last-Survivor-of-Slave-Ship-August-1935 Africatown Clotilda Clotilde Cudjoe 'Kazoola' Lewis Kazzola https://digital.mobilepubliclibrary.org/files/original/5c5bb85106860caa0e1a9e741889ed84.mp4 7f2bc742601869f31aeb87b0c5ad44d1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mobile Tricentennial Video Oral History Project Interview Clips Subject The topic of the resource Mobile, African American History Description An account of the resource Oral history interviews of elders in Mobile's African American communities. These items are clippings, and the full interviews are available for viewing at the Local History &amp; Genealogy division of the Mobile Public Library. A full listing of available interviews may be viewed <a href="http://digital.mobilepubliclibrary.org/items/show/2732">here</a>. Creator An entity primarily responsible for making the resource National African American Archives & Museum, Museum of Mobile Source A related resource from which the described resource is derived Mobile Tricentennial Video Oral History Project Publisher An entity responsible for making the resource available Mobile Public Library, Local History & Genealogy Date A point or period of time associated with an event in the lifecycle of the resource 1999-2002 Contributor An entity responsible for making contributions to the resource Kern Jackson Format The file format, physical medium, or dimensions of the resource mp4 Language A language of the resource English Type The nature or genre of the resource Oral history interviews Identifier An unambiguous reference to the resource within a given context Mobile-VOHP-Clips Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Interviewer The person(s) performing the interview Kern Jackson Interviewee The person(s) being interviewed Eoline Pope Scott Odile Pope Owen Location The location of the interview 263 Marine Street Mobile, AL 36604 Transcription Any written text transcribed from a sound Jackson: Because now-days we don’t have…the Excelsior Band leads the parade, it doesn’t come at the end of the parade, it leads the parade. Scott: Well it used to be at the end of the parade when my Daddy was a member, and when he had his band. That was my Daddy band. Did you ever know the beginning of the Excelsior Band? Jackson: No ma’am. Why don’t you tell me about that. Scott: Would you like to hear about it? Jackson: Please. Scott: The day my Daddy was born, his Daddy was so happy over the fact that he had a son, he called on his friends and they started playing. And that was the beginning; that was in 1883. And when my Daddy was 19 years old, my grandfather turned the band over to him. And they played all the big balls at the Battle House, the Courthaulds, you name it, they were the band. Jackson: When you were coming up, who were some of the other members of the band, if you could em out? Scott: Oh, let’s see, Mr. Hayes, I can't think of his first name. Mr. George Washington, he had a George Washington, and Ernest Pompenette. His Daddy had a band, and he left his Daddy’s band to play in the…he had the Pompenette Band…and he left his Daddy’s band to play in my Daddy’s band. And lets see now. I can't think of all those names. Jackson: What instruments basically were, was the band made up of. Scott: Brass instruments, you know, all brass instruments. Jackson: So you had your trombone, trumpet… Scott: Trombone, trumpet, sax, quite a few. Jackson: Did you have a drummer? Scott: Oh yes. Yes, the bass, you know bas horns: the tubas. Jackson: The picture that I always see of the Excelsior Band, of the few that exist always have, I always remember seeing the bass drum with the, you know, the name of the group. But tell me some more about these parades. Now he would be out front, he would be in the back right before the maskers. Scott: Now listen. The floats, after the floats were passed, then the Excelsior Band would come up. They brought up the end of the parade practically, and all these maskers were behind. That’s just some people who attended the parade in mask. It’s not the people who were belonged to the society, or anything like that. That was just people that used to mask. They don’t do that now. Jackson: What did, did they pay your father and his band for participating? Scott: Oh, of course. Sure. They’d all get the money. They didn’t get the money then that they get now, but they were paid. Sure. Jackson: It's important for folks to know that this was part of a profession, not just strictly for fun, although I'm sure they had a lot of fun. Tell me about the route. Where would you stand when you watched a parade. Scott: At Government and Washington Avenue. Jackson: Why there? Scott: I don’t know. It was because we had been going there all the time, I guess. Jackson: Are there any like foods you associate with Carnival time? Scott: Beg your pardon? Jackson: Are there any foods? Scott: Food? Jackson: Yeah that you associate with Carnival. Like I know I associate… Scott: Gumbo and ham, soup. Jackson: What kind of gumbo? Scott: You eat gumbo? Jackson: Yes. Scott: Huh? Jackson: Yes. What kind? Scott: Well, they would get filet gumbo or okra gumbo. My favorite was okra gumbo. Jackson: Why? Scott: It's just because I like it better. Jackson: What's in it? Scott: Well, they would seafood. They have crab, shrimp, not oysters in okra gumbo. Jackson: Okay. Scott: And you could add a little beef if you want to. Whenever I make some gumbo, I’ma call you up and tell you to come get some. Jackson: Bless your heart. When y'all were coming up, what were some of the favorite things you liked to eat that your mom made? Scott: That my mom made? Jackson: Uh huh. Scott: My momma was a good cook. She cooked gumbo, I liked the gumbo. She made good salads, and I don’t know, she used to make floating island for dessert, lemon pie… Jackson: What's floating…? Scott: See you don’t know about floating island. Jackson: What's floating island? Scott: Floating island was like a custard. And it had like a whipped cream like a beaten up eggs on top of it, and that was the island. But it was delicious. She’s make apple pies, roast. Oh we ate. WE loved each other so much, we didn’t even know we were poor. Jackson: How bout that. Speaking of loving each other so much, what were some things that our parents really, really valued? When you think back on the things they taught you, what did your parents really value? Scott: What they didn’t like, you mean? Jackson: Well what did they really stress, or find to be important? Or that they made sure that you understood. Scott: To always carry ourselves as ladies, and especially in public. Don’t do anything that we, that they would be ashamed of. I tell you one thing I did. I smoked, and I hid from my Daddy for years and years. I guess I was about 18, and he still didn’t approve of me smoking. And I loved to smoke. I don’t now. Jackson: What did you used to smoke? What brand? Scott: Oh I can't remember now. I guess it was Chesterfield’s or Camels or something like that. I tried to smoke the cool cigarettes, but I didn’t like em. I stopped smoking in 1980. Oh heck, you not a priest. Jackson: Some people wish I would. [laughter] Original Format The type of object, such as painting, sculpture, paper, photo, and additional data VHS Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 7 min 6 sec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Pope Sisters Interview Clip Subject The topic of the resource Oral History Description An account of the resource Eoline Pope Scott and Odile Pope Owen talk about their father in the Excelsior Band and family memories Creator An entity primarily responsible for making the resource Eoline Pope Scott Odile Pope Owen National African American Archives & Museum Museum of Mobile Source A related resource from which the described resource is derived Mobile Tricentennial Video Oral History Project Publisher An entity responsible for making the resource available National African American Archives & Museum, Museum of Mobile Mobile Public Library, Local History & Genealogy Date A point or period of time associated with an event in the lifecycle of the resource 2000 Format The file format, physical medium, or dimensions of the resource mp4 Language A language of the resource English Type The nature or genre of the resource Oral history interview Identifier An unambiguous reference to the resource within a given context VOHP-PopeSisters-ExcelsiorBand Battle House cigarettes Eoline Pope Scott Excelsior Band food mardi gras Mardi Gras Parades music band Odile Pope Owen Pope Sisters smoking https://digital.mobilepubliclibrary.org/files/original/dc066c6ddd149a70fb3218baa58193a3.pdf 930fbaff3379cdffd5bab59b53a27a99 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Growing Up In Mobile: Depression & Wartime, 1929-1949 Subject The topic of the resource Mobile during the Depression and World War II Creator An entity primarily responsible for making the resource Judy Walton, MPL Youth Services, Erin Kellen, MPL Youth Services, & George Schroeter, MPL Local History & Genealogy Publisher An entity responsible for making the resource available Mobile Public Library Date A point or period of time associated with an event in the lifecycle of the resource 1983 Contributor An entity responsible for making contributions to the resource USA Photographic Archives, Spring Hill College, Mobile Historic Development Commission Format The file format, physical medium, or dimensions of the resource pdf jpeg mp3 Language A language of the resource English Rights Information about rights held in and over the resource This file may be freely used for educational uses as long as it is not altered in any way. No commercial reproduction or distribution of this file is permitted without written permission from this institution. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Paper Text Any textual data included in the document Descriptions of Proposed Project: The project has two goals: to introduce young people to the humanities and then, with this consciousness of the humanities, to involve them in a project in which a collection of materials relating to the history of Mobile in the 1930s and the 1940s will be gathered. Humanities professionals in the fields of oral history and architectural history, and other qualified staff, will supervise intensive workshops in the research methods of their areas of expertise for approximately fifty young people between the ages of 12 and 18. The young people will be acquainted with what the study of the humanities means, especially as it relates to their study projects. Then the young people will do field work to collect the materials to support the general theme of the project, which is "What was it like to grow up in Mobile in the 1930s and 1940s?" Eventually, the information will be made available to not only the youth population of Mobile, numbering 80,000, but to all of the public libraries patronage. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource National Endowment for the Humanities Grant Application & Project Description Subject The topic of the resource Grant application Description An account of the resource Grant application; background, methodology, objectives, and plan for Architectural Study and Oral History projects for "Growing Up In Mobile: Depression & Wartime" project Creator An entity primarily responsible for making the resource Erin Kellen Publisher An entity responsible for making the resource available Mobile Public Library Date A point or period of time associated with an event in the lifecycle of the resource 1983 Format The file format, physical medium, or dimensions of the resource pdf Language A language of the resource English Identifier An unambiguous reference to the resource within a given context Growing-up-in-Mobile-NEH Grant Application-1983 Source A related resource from which the described resource is derived Growing Up in Mobile: Depression & Wartime Project architecture Brookley Conference Center Dallas Baillio Elizabeth Barrett Gould Erin Kellen George Schroeter grant Great Depression Historic Development Commission of Mobile James Kennedy Judy Walton Mike Thomason Mobile Mobile Planning Commission Mobile Public Library National Endowment for Humanities oral history Patricia Harrison Rosemary Canfield Spring Hill College University of South Alabama World War II https://digital.mobilepubliclibrary.org/files/original/4b5c080aed7685211222bfb9057e1234.png 5f9ca74103c8d7aec014ca0d3df66fd6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eugene Walter Façade Sketches Subject The topic of the resource Art Façade Description An account of the resource Scenery and costume designs sketched by Eugene Walter in 1958, inspired by "Façade - An Entertainment," an artistic work in which Dame Edith Louisa Sitwell's Façade poems were recited over William Walton's instrumental accompaniment. Mobile Public Library purchased the sketches from Eugene Walter in 1965. Creator An entity primarily responsible for making the resource Eugene Ferdinand Walter Jr. Publisher An entity responsible for making the resource available Mobile Public Library, Local History & Genealogy Date A point or period of time associated with an event in the lifecycle of the resource 1958 Rights Information about rights held in and over the resource These items may be freely used for educational and research purposes. No commercial reproduction or distribution is permitted without written permission from this institution. Relation A related resource Façade - An Entertainment Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context Façade-Walter-1958 Still Image A static visual representation. Examples include illustrations, paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Façade Title Drop Subject The topic of the resource watercolor Description An account of the resource Sketch of curtains opening onto ocean scene of a small boat approaching a lighthouse, with the following text: Façade Edith Sitwell William Walter Creator An entity primarily responsible for making the resource Eugene Walter Source A related resource from which the described resource is derived Eugene Walter Façade Sketches Publisher An entity responsible for making the resource available Mobile Public Library, Local History & Genealogy Date A point or period of time associated with an event in the lifecycle of the resource 1958 Type The nature or genre of the resource still image Identifier An unambiguous reference to the resource within a given context Façade-lighthouse-1958 art Façade Walter water https://digital.mobilepubliclibrary.org/files/original/31c62718ece2d8bc03e88dce1f87fc07.JPG 3bc8d7b68f1e1cc8dbf75787054daba2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eugene Walter Façade Sketches Subject The topic of the resource Art Façade Description An account of the resource Scenery and costume designs sketched by Eugene Walter in 1958, inspired by "Façade - An Entertainment," an artistic work in which Dame Edith Louisa Sitwell's Façade poems were recited over William Walton's instrumental accompaniment. Mobile Public Library purchased the sketches from Eugene Walter in 1965. Creator An entity primarily responsible for making the resource Eugene Ferdinand Walter Jr. Publisher An entity responsible for making the resource available Mobile Public Library, Local History & Genealogy Date A point or period of time associated with an event in the lifecycle of the resource 1958 Rights Information about rights held in and over the resource These items may be freely used for educational and research purposes. No commercial reproduction or distribution is permitted without written permission from this institution. Relation A related resource Façade - An Entertainment Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context Façade-Walter-1958 Still Image A static visual representation. Examples include illustrations, paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Set Design - Dance and Recitation Subject The topic of the resource set design Description An account of the resource Set design with central niche cut out with tea set in front, and the following text at the bottom: Façade Edith Sitwell - Wm. Walton - dance and recitation - accademia Santa Cecilia, Rome, 1958 - E. Walter Creator An entity primarily responsible for making the resource Eugene Walter Source A related resource from which the described resource is derived Eugene Walter Façade Sketches Publisher An entity responsible for making the resource available Mobile Public Library, Local History & Genealogy Date A point or period of time associated with an event in the lifecycle of the resource 1952 Type The nature or genre of the resource still image Identifier An unambiguous reference to the resource within a given context Façade-set-design-tea-1958 art Façade tea Walter https://digital.mobilepubliclibrary.org/files/original/18f7ed44c99233a90bb4d9bbd853c787.jpg 995b32619ca44f1a2054f1bab5669524 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eugene Walter Façade Sketches Subject The topic of the resource Art Façade Description An account of the resource Scenery and costume designs sketched by Eugene Walter in 1958, inspired by "Façade - An Entertainment," an artistic work in which Dame Edith Louisa Sitwell's Façade poems were recited over William Walton's instrumental accompaniment. Mobile Public Library purchased the sketches from Eugene Walter in 1965. Creator An entity primarily responsible for making the resource Eugene Ferdinand Walter Jr. Publisher An entity responsible for making the resource available Mobile Public Library, Local History & Genealogy Date A point or period of time associated with an event in the lifecycle of the resource 1958 Rights Information about rights held in and over the resource These items may be freely used for educational and research purposes. No commercial reproduction or distribution is permitted without written permission from this institution. Relation A related resource Façade - An Entertainment Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context Façade-Walter-1958 Still Image A static visual representation. Examples include illustrations, paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Set Design - Variant Setting Subject The topic of the resource set design Description An account of the resource Set design of patio area, with lush greenery and pink flowers. Not pictured, text: Variant Setting Creator An entity primarily responsible for making the resource Eugene Walter Source A related resource from which the described resource is derived Eugene Walter Façade Sketches Publisher An entity responsible for making the resource available Mobile Public Library, Local History & Genealogy Date A point or period of time associated with an event in the lifecycle of the resource 1958 Type The nature or genre of the resource still image Identifier An unambiguous reference to the resource within a given context Façade-variant-set-1958 art Façade Walter https://digital.mobilepubliclibrary.org/files/original/88a98dc8c71dc40aa17ca55486785fc7.png 3b9ebe7d313d00565dcc1d9d1bd2b6e6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eugene Walter Façade Sketches Subject The topic of the resource Art Façade Description An account of the resource Scenery and costume designs sketched by Eugene Walter in 1958, inspired by "Façade - An Entertainment," an artistic work in which Dame Edith Louisa Sitwell's Façade poems were recited over William Walton's instrumental accompaniment. Mobile Public Library purchased the sketches from Eugene Walter in 1965. Creator An entity primarily responsible for making the resource Eugene Ferdinand Walter Jr. Publisher An entity responsible for making the resource available Mobile Public Library, Local History & Genealogy Date A point or period of time associated with an event in the lifecycle of the resource 1958 Rights Information about rights held in and over the resource These items may be freely used for educational and research purposes. No commercial reproduction or distribution is permitted without written permission from this institution. Relation A related resource Façade - An Entertainment Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context Façade-Walter-1958 Still Image A static visual representation. Examples include illustrations, paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data painted sketch, costume design Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sir Joshua Jebb, the Admiral Subject The topic of the resource costume design Description An account of the resource A painted costume design sketch for an admiral with a blue hat and a pink butterfly on the tip of a wand, presumably based on Sir Joshua Jebb, the admiral character in Edith Sitwell's Façade poem, "En Famille." Creator An entity primarily responsible for making the resource Eugene Walter Source A related resource from which the described resource is derived Eugene Walter Façade Sketches Publisher An entity responsible for making the resource available Mobile Public Library, Local History & Genealogy Date A point or period of time associated with an event in the lifecycle of the resource 1958 Relation A related resource Edith Sitwell, "En famille", Façade Type The nature or genre of the resource still image Identifier An unambiguous reference to the resource within a given context Façade-Admiral-1958 art costume Façade Walter https://digital.mobilepubliclibrary.org/files/original/ae8b624314a6299d6410bb99b37667a7.png 9ca793d29e9b846e771ae3edabea14ae Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eugene Walter Façade Sketches Subject The topic of the resource Art Façade Description An account of the resource Scenery and costume designs sketched by Eugene Walter in 1958, inspired by "Façade - An Entertainment," an artistic work in which Dame Edith Louisa Sitwell's Façade poems were recited over William Walton's instrumental accompaniment. Mobile Public Library purchased the sketches from Eugene Walter in 1965. Creator An entity primarily responsible for making the resource Eugene Ferdinand Walter Jr. Publisher An entity responsible for making the resource available Mobile Public Library, Local History & Genealogy Date A point or period of time associated with an event in the lifecycle of the resource 1958 Rights Information about rights held in and over the resource These items may be freely used for educational and research purposes. No commercial reproduction or distribution is permitted without written permission from this institution. Relation A related resource Façade - An Entertainment Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context Façade-Walter-1958 Still Image A static visual representation. Examples include illustrations, paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data painted sketch, costume design Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mrs. Marigold Subject The topic of the resource costume design Description An account of the resource A painted costume design sketch for a lady in mostly yellow clothing who is painting a canvas, with "Mrs. Marigold" written in pencil in the bottom left corner, presumably based on the character Mrs. Marigold, in the Façade poem, "Polka." Creator An entity primarily responsible for making the resource Eugene Walter Source A related resource from which the described resource is derived Eugene Walter Façade Sketches Publisher An entity responsible for making the resource available Mobile Public Library, Local History & Genealogy Date A point or period of time associated with an event in the lifecycle of the resource 1958 Relation A related resource Edith Sitwell, "Polka", Façade Type The nature or genre of the resource still image Identifier An unambiguous reference to the resource within a given context Façade-Marigold-1958 art costume Façade Walter https://digital.mobilepubliclibrary.org/files/original/f17c0fdb3d371403af6559aa978769b1.png dee7b5774f02d76921c0abb1e3b5b853 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eugene Walter Façade Sketches Subject The topic of the resource Art Façade Description An account of the resource Scenery and costume designs sketched by Eugene Walter in 1958, inspired by "Façade - An Entertainment," an artistic work in which Dame Edith Louisa Sitwell's Façade poems were recited over William Walton's instrumental accompaniment. Mobile Public Library purchased the sketches from Eugene Walter in 1965. Creator An entity primarily responsible for making the resource Eugene Ferdinand Walter Jr. Publisher An entity responsible for making the resource available Mobile Public Library, Local History & Genealogy Date A point or period of time associated with an event in the lifecycle of the resource 1958 Rights Information about rights held in and over the resource These items may be freely used for educational and research purposes. No commercial reproduction or distribution is permitted without written permission from this institution. Relation A related resource Façade - An Entertainment Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context Façade-Walter-1958 Still Image A static visual representation. Examples include illustrations, paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data painted sketch, costume design Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Old Sir Faulk Subject The topic of the resource costume design Description An account of the resource A painted costume design sketch for a tall mustachioed man holding a rifle, with "Old Sir Faulk" written in pencil in the bottom left corner, presumably based on Old Sir Faulk, a character in the Façade poem, "Fox-Trot 'Old Sir Faulk'." Creator An entity primarily responsible for making the resource Eugene Walter Source A related resource from which the described resource is derived Eugene Walter Façade Sketches Publisher An entity responsible for making the resource available Mobile Public Library, Local History & Genealogy Date A point or period of time associated with an event in the lifecycle of the resource 1958 Relation A related resource Edith Sitwell, "Fox-Trot 'Old Sir Faulk'", Façade Type The nature or genre of the resource still image Identifier An unambiguous reference to the resource within a given context Façade-Faulk-1958 art costume Façade Walter https://digital.mobilepubliclibrary.org/files/original/e8de2a0ebd7c21ad8be4248228788a01.png 415b520b6ba83dc64eecd0a5fd6500d2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eugene Walter Façade Sketches Subject The topic of the resource Art Façade Description An account of the resource Scenery and costume designs sketched by Eugene Walter in 1958, inspired by "Façade - An Entertainment," an artistic work in which Dame Edith Louisa Sitwell's Façade poems were recited over William Walton's instrumental accompaniment. Mobile Public Library purchased the sketches from Eugene Walter in 1965. Creator An entity primarily responsible for making the resource Eugene Ferdinand Walter Jr. Publisher An entity responsible for making the resource available Mobile Public Library, Local History & Genealogy Date A point or period of time associated with an event in the lifecycle of the resource 1958 Rights Information about rights held in and over the resource These items may be freely used for educational and research purposes. No commercial reproduction or distribution is permitted without written permission from this institution. Relation A related resource Façade - An Entertainment Type The nature or genre of the resource Still image Identifier An unambiguous reference to the resource within a given context Façade-Walter-1958 Still Image A static visual representation. Examples include illustrations, paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data painted sketch, costume design Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Meg Subject The topic of the resource costume design Description An account of the resource A painted costume design sketch for a woman in a pink dress and white apron, one leg in a blue stocking, with "Meg" written in pencil in the bottom right corner, presumably based on nursey-maid Meg, a character in the Façade poem, "Fox-Trot 'Old Sir Faulk'." Creator An entity primarily responsible for making the resource Eugene Walter Source A related resource from which the described resource is derived Eugene Walter Façade Sketches Publisher An entity responsible for making the resource available Mobile Public Library, Local History & Genealogy Date A point or period of time associated with an event in the lifecycle of the resource 1958 Relation A related resource Edith Sitwell, "Fox-Trot 'Old Sir Faulk'", Façade Type The nature or genre of the resource still image Identifier An unambiguous reference to the resource within a given context Façade-Meg-1958 art costume Façade Walter